| Popular musicвЂ“Production and direction. | Summary: вЂњA summary of current research on the production of stereo and mono recorded musicвЂќвЂ“ Provided by publisher. | Series: Bloomsbury handbooks | Includes bibliographical references and index.

Description: New York : Bloomsbury Academic, 2020. Title: The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas. Library of Congress Cataloging-in-Publication Data Names: Bourbon, Andrew, editor. Whilst every effort has been made to locate copyright holders the publishers would be grateful to hear from any person(s) not here acknowledged. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. All internet addresses given in this book were correct at the time of going to press. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers.

The Bloomsbury Handbook of Music Production Edited by Andrew Bourbon and Simon Zagorski-ThomasД«LOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in the United States of America 2020 Volume EditorsвЂ™ Part of the Work В© Andrew Bourbon and Simon Zagorski-Thomas, 2020 Each chapter В© of Contributor Cover design: Louise Dugdale Cover image В© Simon Zagorski-Thomas All rights reserved. The Bloomsbury Handbook of Music Production

Michail Exarchos (aka Stereo Mike) and Simon Zagorski-ThomasДў2 Studying Mixing: Creating a Contemporary Apprenticeship Дў3 Producer Compensation in the Digital Age Дў4 Evolving Technologies of Music Distribution: Consumer Music Formats вЂ“ Past, Presentand Future Дў6 Interpreting the Materials of a Transmedia Storyworld: Word-Music-Image in Steven WilsonвЂ™s Hand.

Part IV: Organizing the Production ProcessД© Information, (Inter)action and Collaboration in Record Production Environments ДЎ0 Creative Communities of Practice: Role Delineation in Record Production in Different Eras and across Different Genres and Production Settings ДЎ3 The Influence of Recording on Performance: Classical Perspectives ДЎ4 Welcome to the Machine: Musicians, Technology and Industry ДЎ6 Materializing Identity in the Recording Studio ДЎ8 The Boom in the Box: Bass and Sub-Bass in Desktop Production ДЎ9 Maximum Sonic Impact: (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production Andrew Bourbon and Simon Zagorski-ThomasД¤ From Tubes to Transistors: Developments in Recording Technology up to 1970 ДҐ Transitions: The History of Recording Technology from 1970 to the Present Д¦ How Does Vintage Equipment Fit into a Modern Working Process? Д§ Recording Studios in the First Half of the Twentieth Century.

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